I’ve all but abandoned this blog, but I’m still going to come back when there is something I really need to talk about. It’s not what is going on in my life that I want to talk about, it’s what is going on 14,000+ kilometers away in a place I once spent part of my honeymoon, a (not so) little place called Phuket. So there I was one evening last week scrolling through Reddit (yeah, I know) and I come across a video of a sixteen-year-old Thai girl supposedly performing Metallica’s Master of Puppets on guitar and vocals. I approached with some skepticism. Sure, Eddie Munson was my favorite character in Stranger Things and the moment he starts playing Master of Puppets is among my favorite moments of the entire series, but it didn’t seem unfeasible that a guy his age could conquer a song like that; after all, back in the ’80s, we weren’t all distracted by social media and smart phones. People back then actually developed their talents.
If you told me a sixteen-year-old Thai girl would melt my fucking face with the same song though, I would have thought you mad. Enter Nene Royal. Please follow the link to her Master of Puppets performance, as playback on other Websites has been disabled for this one. That video served as my introduction to her talent, but, highlight though it is, it was but the tip of the iceberg. Then I saw Nene Royal, her Ozone band, and guest vocalist Ployfun perform the greatest Guns N’ Roses cover I’ve ever heard in the form of Sweet Child o’ Mine:
That, in turn, served as my introduction to Ployfun, a twelve-year-old prodigy who isn’t quite up to Nene Royal’s level on guitar just yet but who might already surpass her on vocals. As if I hadn’t already been impressed enough by the keyboardist or the drummer and as if I weren’t already blown away by Nene Royal’s insane guitar solo, this girl comes along and steals the show with her vocal performance. In both cases, these Thai kids are outplaying the bands they are covering. Guns and who? Metalli-who? Metallica lost its spark decades ago and watching them perform now is like watching some mediocre cover band. I just heard about her last week, but I would choose to watch Nene Royal perform a Metallica concert over watching Metallica perform a Metallica concert any time. As it turns out, I’d probably rather watch Ployfun perform a Metallica concert over watching Metallica as well when I took a look at her slaying Enter Sandman on the streets of Phuket:
Those audiences haven’t the faintest clue what they are actually witnessing. It doesn’t even make sense to me that this shit is coming out of Thailand, a country traditionally dripping with shitty pop music, but here we are. Is Phuket about to become the new Mecca of rock music? Will some incomprehensibly talented kids in Thailand be the ones to bring rock back from the grave?
It’s not the first time I’ve been impressed with some talented youngsters. Let us not forget Tina S from France about a decade back, whom I remember best for her cover of Megadeth’s Tornado of Souls:
Tina S was not alone. There was also Juliette Jade Valduriez, also out of France:
Tina S was good, but she was never so effortless as Nene Royal and she was never able to make the jump to composing anything of her own worth its weight in piss. Juliette Jade, though lesser known, actually released some competent tracks that I still have in my music library. I remember Killer and Hélicoptère being standout tracks. Unlike Tina S, she sang, too, but her vocals were on the monotone side. Both of them kind of vanished from the face of the Earth after a time. They were good and they are missed, but they were not the full package.
So what do Nene Royal and Ployfun need to become the full package? They need to make the jump to composing their own music, of course. I do not believe Ployfun has made that jump, but she’s twelve years old, so let’s give her some fucking space. Nene Royal, in the meantime, is currently in the process of making that jump and, from the one unique composition of hers I have heard, it is sounding promising thus far:
These kids are giving me hope for the future. I just pray that they won’t betray their roots and start appealing to the masses with a bunch of pop songs. They have a chance here to do something truly special and breathe new life into a genre that has been circling the drain for too long. I can hardly wait to see what they do next.